![]() Kent begins her lessons by training the eye to discern the beauty and eccentricity embedded in mundane surroundings. “I frequently open it randomly and read a section before I go to sleep,” he wrote, “and I find that upon waking I almost always see the world in a new light, full of beauty, inspiration, and wonder.” What follows is a distillation of some of her key lessons.īefriend a child and see the world through her eyes For many creatives, like Aaron Rose, the artist and filmmaker behind the cult documentary Beautiful Losers (2008) (who also made a short film about Kent), the book serves not only as a guiding light for his practice but “a manual for life.” The little paperback overflows with Kent’s witty and persuasive axioms, which are followed by exercises that use the sights, sounds, objects, words, and people that saturate everyday life as the seeds for art-making. The resulting book, Learning by Heart: teachings to free the creative spirit, was published in 1992, six years after her death. She felt it was important that her lessons reach a wider audience. In 1979, many years after Kent stopped teaching and put religious life behind her, she began recording her renowned teachings with the help of artist and former student Jan Steward. The curriculum would go on to become art-education gospel. “Art does not come from thinking, but from responding,” she wrote. ![]() There, Kent developed a radical and unprecedented curriculum designed to arouse and embolden her students’ creative spirits by looking at the everyday world in new ways. She believed that everyone was an artist: “We can all talk, we can all write, and if the blocks are removed, we can all draw and paint and make things,” she wrote.Īnd it was through her vision, along with that of fellow teachers Charles and Ray Eames, that the school became an unlikely avant-garde art hotbed, where creatives from Alfred Hitchcock to Buckminster Fuller to John Cage mingled. Kent was a nun, an influential pop artist, and a famously charismatic professor at the small, Catholic liberal arts college Immaculate Heart in downtown Los Angeles from 1947 until 1968. the inside of the base now contains approximately one cubic meter of solid steel as ballast.“If you have ever wished you could draw or paint or make things-if you have hopes of changing something for the better-this book might enable you to do just that,” wrote Sister Corita Kent in 1986. due to the added height and wind loading of the new location, an additional 3 tonnes of ballast material was required. this new site provides an immense viewpoint of the reflected rock cliff line and crashing water. to create the large-scale sculpture, joel adler drew inspiration from historic naval interfaces and the human-nature interaction.įollowing viewfinder’s debut at sculpture by the sea bondi 2019, the work migrated to lighthouse reserve, on permanent loan to woollahra council. the structure reflects both light and sound to create a mesmerizing display of the crashing waves that are directly below. Viewfinder is composed of a 200kg mirror cantilevered by 6 tonnes of concrete and steel. ![]() originally built for sculpture by the sea bondi 2019, the artwork is now permanently installed at lighthouse reserve in sydney’s coastal suburb of vaucluse. Australian artist joel adler has created a site specific periscope-like sculpture that reflects a previously unseen view of the ocean below.
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